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1997
E. Wilson, “'Terrible Simplicity': Emerson's Metaleptic Style”, Style 31, pp. 58-80, 1997.
J. Harper, William and Hultsman, “Thoreau on Leisure: A Wide Halo of Ease”, in Popular Culture Review, vol. 8:1, 1997, pp. 121-37.
R. Francis, Transcendental Utopias : Individual and Community at Brook Farm, Fruitlands, and Walden. Ithaca: Cornell UP, 1997.
S. Roeder, “Uncaptured Monsters: The Ostracizing Allusions of Walden”, in The Concord Saunterer, vol. 5, 1997, pp. 177-88.
R. K. McGregor, A Wider View of the Universe: Henry Thoreau's Study of Nature. Urbana: U Ill P, 1997.
1996
R. K. Hudnut, The Aesthetics of Ralph Waldo Emerson: The Materials and Methods of His Poetry. Edwin Mellen Press, 1996.
B. P. Taylor, America's Bachelor Uncle: Thoreau and the American Polity. Lawrence: UP of Kansas, 1996.
R. J. Schneider, Approaches to Teaching Thoreau's Walden and Other Works. NY: MLA, 1996.
L. N. Neufeldt, “'Baker Farm' and Historicism: The Rainbow's Arch”, in In Schneider, 1996, pp. 129-37.
A. von Frank, Barbour, J., and Quirk, T., “The Composition of Nature: Writing and the Self in the Launching of a Career”, in Biographies of Books: The Compositional Histories of Notable American Writings, Missouri, 1996, pp. 11-40.
A. von Frank, Barbour, J., and Quirk, T., “The Composition of Nature: Writing and the Self in the Launching of a Career”, in Biographies of Books: The Compositional Histories of Notable American Writings, Missouri, 1996, pp. 11-40.
M. Lopez, Emerson and Power: Creative Antagonism in the Nineteenth Century. Dekalb, ILL: N ILL UP, 1996.
C. Newfield, The Emerson Effect: Individualism and Submission in America. Chicago: Univ. of Chicago P, 1996.
W. T. Mott, Encyclopedia of Transcendentalism. Westport, CN: Greenwood P, 1996.
T. S. McMillin, “'Extra Vagant' Education: Teaching Walden in the Context of Transcendentalism”, in In Schneider, 1996, pp. 48-55.
A. Meredith, “Lost Hound, Horse, and Turtle Dove? Not Really”, in Thoreau Society Bulletin, vol. 216, 1996, pp. 4-5.
R. Lebeaux, “The Many Paths to and from Walden”, in In Schneider, 1996, pp. 63-69.
W. L. Andrews, The Oxford Frederick Douglass Reader. New York: Oxford UP, 1996.
F. J. McGill, “Reading the Garden: Excursions into Walden”, in In Schneider, 1996, pp. 84-90.
A. M. Woodlief, “Teaching Walden as Transcendental Strip Tease Art”, in In Schneider, 1996, pp. 113-20.
L. C. Johnson, “Walden and the Construction of the American Renaissance”, in In Schneider, 1996, pp. 28-38.
H. Golemba, “Walden: Text, Context, Pretext”, in In Schneide, 1996, pp. 138-42.
H. Golemba, “Walden: Text, Context, Pretext”, in In Schneide, 1996, pp. 138-42.
E. Wilson, “Weaving: Breathing: Thinking: The Poetics of Emerson’s Nature”, ATQ 10, pp. 5-24, 1996.
W. Howarth, “'Where I Lived': The Environs of Walden”, in In Schneider, 1996, pp. 56-62.

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