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T
W. Harding, The Thoreau Centennial. Albany: State Univ. of NYP, 1964.
S. Woodruff, “Thoreau as Water-Gazer: 'The Ponds.'”, in Emerson Society Quarterly, vol. 47, 1967, pp. 16-17.
J. McIntosh, Thoreau as Romantic Naturalist: His Shifting Stance Toward Nature. thaca: Cornell UP, 1974.
D. G. Quick, “Thoreau as Limnologist”, in Thoreau Journal Quarterly, vol. 4, 1972, pp. 13-20.
N. Foerster, “Thoreau as Artist”, in Sewanee Review, vol. 19, In Harding, 1954, pp. 2-13, 123-35.
N. Foerster, “Thoreau as Artist”, in Sewanee Review, vol. 19, In Harding, 1954, pp. 2-13, 123-35.
R. W. Bradford, “Thoreau and Therien”, in American Literature, vol. 34, 1963, pp. 499-506.
T. Tanner, “Thoreau and the Sauntering Eye”, in The Reign of Wonder: Naivety and Reality in American Literature, Cambridge: Cambridge UP, 1965, pp. 46-73.
K. W. Cameron, “Thoreau and the Folklore of Walden Pond”, vol. 3, Emerson Society Quarterly, 1956, pp. 10-12.
F. Sayre, Robert, Thoreau and the American Indians. NJ: Princeton University P., 1977.
J. Goodwin, “Thoreau and John Brown: Transcendental Politics”, ESQ, vol. 25, pp. 156-167, 1979.
P. A. Okker, “Thoreau: An American Taoist Sage”, in The Comparatist, vol. 11, 1987, pp. 86-95.
J. Hildebidle, Thoreau: A Naturalist's Liberty. Cambridge: Harvard UP, 1983.
S. Paul, Thoreau: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, 1962.
W. Harding, Thoreau: A Century of Criticism. Dallas: SMUP, 1954.
H. S. Canby, Thoreau. Boston, 1958.
R. E. Collins, Theodore Parker: American Transcendentalist. A Critical Essay and a Collection of his Writings. Metuchen: Scarecrow, 1973.
R. C. Albrecht, Theodore Parker. NY: Twayne, 1971.
E. Wilson, “'Terrible Simplicity': Emerson's Metaleptic Style”, Style 31, pp. 58-80, 1997.
H. Gustafsson, “Tenth Muse Errant: On Thoreau's Crisis of Technology and Language”, in The Concord Saunterer, vol. 7, 1999, pp. 54-112.
J. G. McGrath, “Ten Ways of Seeing Landscapes in Walden and Beyond”, in In Schneider, 2000, pp. 149-64.
A. M. Woodlief, “Teaching Walden as Transcendental Strip Tease Art”, in In Schneider, 1996, pp. 113-20.
S
A. E. Elmore, “Symmetry Out of Season: The Form of 'Walden.'”, in South Atlantic Bulletin, vol. 37, 1972, pp. 18-24.
I. I. I. Teichgraeber, Richard F., Sublime Thoughts/Penny Wisdom: Situating Emerson and Thoreau in the American Market. Baltimore: Johns Hopkins UP, 1955.
K. Kurtz, “Style in Walden”, in Emerson Society Quarterly, vol. 60, 1970, pp. 59-67.

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